Fifteen-plus years on the professional Equity stage — from Shakespeare to Baloo in The Jungle Book, taught me how to hear the rhythms beneath the words: tone, subtext, nuance. The kind of experience that makes your audience lean in instead of tuning out
I've also been a house painter, a handyman, a dancing cow for an ice cream shop, and a food and beverage lifer. I blast Reformed Christian hip-hop and eat gas station egg salad without apology. I still write letters — on paper, on purpose.
None of that gets in the way of fast turnarounds, clean audio, and a Source-Connect setup that's ready when you are. I take direction well, I take your deadline seriously, and it's all the same person.
But you're not just getting a bandaid on a pain point. You're getting someone who walks into the booth with a whole life behind them — the joy, the contradiction, the gravel, the sincerity.
Nobody else has that exact sequence. When I bring it to your copy, I bring all of it. And when we're finished, you won't just think the audio was good. You'll think: " I really want to work with that guy again. "
The best compliment I've ever received came from someone who'd known me for only six months: " I feel like I've known you
my whole life." That's what I'm after — every session, every read.
A voice you don't have to get used to. It already fits.